Con

Con is a New Zealand play, written by Gavin McGibbon and directed by Danny Mulheron.

The plot is simple, yet complicated. It’s about two con-men, a girl and a victim. But who is conning who? Without giving too much away, prepare for double, triple and quadruple crosses. Nothing is quite like what it seems.

The two con-men are Earl and Stevie, played by Paul McLaughlin and Mike Minogue respectively. You get introduced to them as Stevie is on the phone to some elderly householder convincing her that her computer is infected with a virus, and telling her how he can help her fix it for a small fee. As she is thanking him profusely for helping save her from a non-existent problem, I reflected how sadly accurate and common that scenario is.

The playwright got the inspiration for this play when his Facebook account got hacked and a scammer posted to his page that he had been mugged and robbed in the Philippines and needed money to be deposited into a bank account to help him get home.

But Earl and Stevie have plans well beyond a common Internet scam. They planned to rip off a charity for a six figure sum of money, and not just any charity but CanTeen – can anything be worse than scamming a charity to help teenagers with cancer.

CON by Gavin McGibbon. Directed by: Danny Mulheron. Circa Theatre, 26 October to 23 November 2013. Wellington, New Zealand. http://www.circa.co.nz/

Photo by Stephen A’Court

Complicating things is the entry of Holly, played by Acushla-Tara Sutton. At first she’s just a pick up in a bar, but it gets more serious. And what does it mean for Stevie when he finds out something personal about her? And how did Stevie end up a scammer? He was once a hero. What was his fall from grace, and is there a path back?

Jason Whyte completes the cats playing the victim, Jeffery, and a couple of minor roles.

The play kept you guessing throughout. There were numerous twists and turns, and not all of them easy to predict. Who was putting on and act, and who wasn’t? The characters were likeable, despite their activities, and you wanted to see how it all ends.

Quite rarely for me, I did think the play could have benefited from being a little longer. It’s 90 minutes long, and I would have liked to have seen more of Stevie’s background, but also more of how the main scam went down and the reaction to it.  It was a bit disjointed at times.

But that didn’t take away from it being a very enjoyable play, which kept you engaged throughout. The acting was excellent, and a nice satisfying ending – for some!