Circa has put on a production of A Public Reading of an Unproduced Screenplay about the Death of Walt Disney.
The play, written by Lucas Hnath started on Broadway, and I think this is the first time it has been produced in New Zealand.
I was excited to see the play, as it starred David McPhail as Walt Disney. However, despite some very good acting, I found the play overall under-whelming.
The four actors did well. I loved seeing David McPhail on the stage, and he looked and felt the part of a domineering boss. Maybe he was channeling his years spent playing Muldoon.
Nick Blake played Walt’s brother Roy. Roy was CEO of Disney for many years and was portrayed as the guy kept in the shadows by Walt, and even used by Walt as a foil. His depiction of Roy was very sympathetic .
Jessica Robinson played Walt’s daughter (Diane, but not named in the play). She had few lines but they were the best parts, especially when she said she didn’t want to call a son Walt, because “When I say your name, I think all sorts of things I don’t want to think. When I say your name, I think of you, and when I think of you I get all angry, and when I think of you and the way you act, and the way you yell …”
And Richard Falkner played Ron, Walt’s son-in-law. He was portrayed as a bit of a sports focused jock (and looked the part). He wanted a role with the Disney empire, even as a cleaner, but was not seen up to scratch.
The cast did well, and I liked the production details such as having Diane and Ron on stage through all the scenes where they didn’t talk, but reacting with facial expressions. Robinson especially conveyed as much with her expressions as her line.
But overall I found the play hard to get into. It livened up around half way through, but it did not emotionally engage me. There was some dramatic tension and humour, but you never felt particularly warm or repulsed to any of the characters. It almost seemed ordinary, except it was about the family of Walt Disney.
It could have been redeemed (and the fault is with the script, not the local production) if the play was based on real events. I like plays where you learn stuff about someone famous, especially a side not seen before. One could do a very good play about the darker side of Walt Disney. He was on the fringes of the anti-semitic movement, and he had feuds lasting decades with staff.
But the focus on the family didn’t work for me, as it seems to be more speculation than fact. While Disney may have been a difficult father, his daughter actually is very loyal to him, and has attacked other works criticising him. She even set up the family museum in his honour. And one of her sons is named Walter.
The son-in-law actually was CEO of Disney for many years, so wasn’t a thicko. And the stuff on Disney wanting to be cryogenically frozen is a debunked urban legend.
John Smythe at Threatreview commented:
It’s entirely possible A Public Reading of an Unproduced Screenplay about The Death of Walt Disney could work much better in the relative intimacy of Circa Two – and I have a strong feeling Destination Beehive (in Circa Two with its cast of eight) is destined to sell out and leave many punters disappointed. If it was logistically possible for the shows to swap venues, I think they should.
I’d endorse that. This play is unlikely to have mass appeal, but it is still an interesting insight into the Disney empire.