No Naughty Bits

No Naughty Bits is a play about a copyright lawsuit, specifically Gilliam v. American Broadcasting. Now you might wonder why anyone would see a play about a copyright dispute, but when you realise Gilliam is Terry Gilliam of Monty Python fame, and the lawsuit was about ABC editing their shows in such a way that they were basically no longer funny, and hence it damaged their reputations, then the appeal becomes clear.

Monty Python were the comic geniuses of my generation, and their influence on comedy has been compared to the influence of The Beatles on Music. I can recite the script of Life of Brian almost word perfect, having viewed it over a dozen times.

Andrew Foster plays Michael Palin, the lead character in the play. He nails the part, as you can almost believe it is the real Michael Palin there at times. A wigged Gavin Rutherford plays Terry Gilliam to some great comic effect.

The other stand out actor for me was Stephen Papps as Judge Lasker.

No Naughty Bits by Steve Thompson. Directed by: Ross Jolly. Circa Theatre, 14 September to 12 October 2013. Wellington, New Zealand.


Photo by Stephen A’Court

The play is an engaging exploration of comedy, US vs UK differences, creative types vs executives and more.

It isn’t a recital of famous Monty Python lines, even though a fair few of them do make an appearance. It is about the right of a bunch of iconic comedians to say to a network that if you edit us so we no longer think it reflects our work, we want the right to withdraw permission to use our work. Through that you get to hear of the many edits ABC tried to make, and why. You are of course always on the side of the Pythons as they fight for their gags to remain. You do also however have some sympathy for the studio as dealing with a bunch of stubborn creatives can be a challenge to put it mildly.

If you are a Monty Python fan, you won’t want to miss No Naughty Bits. And if you are not a Monty Python fan, well you don’t know what you have missed out on!

Threatreview also has a review.

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