I think there is a huge difference between song that have general lyrics about violence, sex and the like – and a song that explicitly expresses a desire to kill a specific person, and to have sex with a specific person. The first is art. The second is creepy.
Here’s some lyrics from the song by @peace.
That’s why I’m going to kill the Prime Minister. I’m going to kill the Prime Minister, because we are down and suffering and the motherfucker ain’t doing nothing. Going to kill the Prime Minister.
One of these days I’m going to fuck your daughter. This poor boy going to make his seed, going to wake up in your girl – well hello Miss Key.
This is beyond creepy. And the creep isn’t one bit remorseful. He has no idea what the impact might be on Steffi Key to hear there is a song about how he wants to fuck her. He thinks that because he doesn’t like the politics of her father, he can target her in a song like this.
There should be consequences for such vile behaviour.
John Armstrong notes:
By yesterday afternoon, @Peace appeared to have realised it had made a rather big mistake. It posted on Facebook, saying the song had been written with the purpose of getting young voters to enrol. Anyone who has listened to the song will know that is an untruth of huge proportions. The lyrics have nothing to do with enrolling to vote.
What is ironic is that the left leaning Rock Enrol wanted to use Homebrew at concerts to promote voting. I’d say a song implying rape of a young woman will not encourage young people to vote, but just absolutely turn them off politics.
Simon Sweetman also notes:
The band @Peace really screwed up. You only have to click on that Wiki link to see how they’re going to be remembered. They released a song threatening to kill John Key – and then went into a swift panic, explaining that it was really all about mobilising young voters. The rallying cry included reference to sleeping with Key’s daughter. It wasn’t (quite) a statement of rape – but it’s a blunt and nasty use of the term, it’s a leading statement – “one of these days I’m going to f*** your daughter”. It could be very easily construed as a threat, an act of violence.
The sad thing is this was predictable. Tom Scott, formerly of Homebrew, has spent years spewing vile and hatred at John Key. He has rarely been called out for this. In fact one Labour MP raved how much she loves his music. So is it any surprise when he takes his hatred and bile from one level, and ramps it up slightly more so that he moves into glorifying violence against those those politics he disagrees with. Why does he get more extreme? Because he suffers no consequences for his behaviour. NZ on Air carry on giving him taxpayers money (which is ironic as his song is all about how he gets nothing from the Government!).
UPDATE: Psycho Milt at No Minister spells it out for those who think it is just a song:
If you’re thinking he didn’t say he was going to rape her, you’re missing the point. Here’s the rape culture involved:
1. The most obviously rapey bit is that whatever interest or distinct lack of interest Stephanie Key might have in letting this ambulatory excrement within touching distance of her apparently isn’t relevant from his point of view.
2. The less obvious, but far worse, rapey bit is the matter of why this turd-on-legs wants to fuck Stephanie Key – not because of her appearance, her personality or any of the other, mundane, trivial reasons two people might fuck. No, the reason he wants to fuck her is he thinks squirting semen in her would be a suitable gesture of contempt for her father. That’s rape culture right there, folks. Attitudes to sex and to women don’t get much more poisonous than this – quite an achievement for a self-proclaimed Green voter…
Can’t have put it better nyself.